In Lachryphagoi, absurdity, memories of fairy-tales, traces of the somatic, unconscious desires, mnemonic remnants, and the pre-linguistic, coexist and interact, along with the natural and supernatural, fragments of the fantastical, mythological narratives and experiences which would love to become universal. An attempt to recall the first objects of desire but also to highlight the fluid tear-inducing nature of continuous becoming.

In Lachryphagoi, the sculptural-environment landscape remains present, even when not-activated by the performers, suggesting an autonomous visual vocabulary as well as an expanded form of sculpture.